12 Movies Like The Hangover That Will Have You Crying with Laughter

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The Hangover (2009) is undeniably one of the most influential and outrageous comedies of the 21st century. While comedies have long pushed the boundaries of acceptable content, this film introduced audiences to a new level of wild antics. Its immense popularity can be attributed to its status as an event movie, one that promised to reveal the chaos Phil Wenneck (Bradley Cooper), Stu Price (Ed Helms), Alan Garner (Zack Galifianakis), and Doug Billings (Justin Bartha) would get up to after a bachelor weekend spirals out of control. The film's bold humor and unpredictable plotline were revolutionary at the time.

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The movie’s success helped launch the careers of its cast, with Bradley Cooper going on to star in critically acclaimed films like Silver Linings Playbook, American Sniper, A Star Is Born, and Maestro. Director Todd Phillips also transitioned to more serious fare, such as Joker, which garnered widespread acclaim.

Though only 15 years old, The Hangover already feels like a nostalgic gem, especially as modern comedies increasingly struggle to find success at the box office, often relegated to streaming platforms instead of theaters. There's something irreplaceable about laughing with a room full of people, a shared experience that many moviegoers yearn for again. While we can't change the current landscape, we can recommend some R-rated comedies that will remind you of The Hangover's hilarity and chaos. If you loved it, these films should be on your radar.

Animal House (1978)
Universal Pictures
Like The Hangover, Animal House became a cultural touchstone, with many of its cast and crew, including National Lampoon co-founder Douglas Kenny and director John Landis, making a lasting impact on comedy. The film features social satire alongside crude humor, offering a hilarious look at a group of misfit college students rebelling against the so-called "prestigious" Omega Theta Pi fraternity. Both films revolve around endearing, yet often irresponsible, characters who find themselves in absurd situations. The members of Delta Tau Chi, much like The Hangover’s group, are likable despite their misdeeds. Both films explore male friendships, showcasing how bickering doesn't diminish the bond between the characters. Animal House is legendary for its physical comedy, and John Belushi’s iconic performance as Bluto set a high bar for future slapstick humor. It's amusing to note that Bluto—in a satirical twist—later finds himself as a U.S. Senator, a scenario that feels oddly plausible today.

After Hours (1985)
Warner Bros. Pictures
Todd Phillips has often cited Martin Scorsese as a major influence on his work, with Joker paying homage to films like Taxi Driver and The King of Comedy. However, the Scorsese film most akin to The Hangover is After Hours, an underrated gem from 1985. Much like The Hangover, it takes a simple premise—an awkward date—and escalates it into a whirlwind of increasingly absurd misadventures. After Hours follows Paul Hackett (Griffin Dunne) as his night spirals out of control in New York City’s SoHo district. Much like the Hangover gang, everything that could go wrong for Paul does, with comedic results. Both films explore male anxiety, with Paul grappling with the pressure to conform to societal expectations of masculinity as his bizarre adventure unfolds.

Mallrats (1995)
Gramercy Pictures
Todd Phillips and Kevin Smith share an affinity for raunchy humor and colorful pop culture references. While Phillips is known for his work with Joker, Smith’s 1995 film Mallrats brings the same irreverent charm to a younger generation. In many ways, Mallrats is The Hangover for a more adolescent crowd. While The Hangover tackles the anxieties of men entering middle age, Mallrats focuses on the struggles of younger men grappling with adulthood. As T.S. Quint (Jeremy London) and Brodie Bruce (Jason Lee) navigate dating, career pressures, and their future, they stumble through a series of comic misadventures that echo The Hangover's spirit. The two films share a similar exploration of character growth, with Mallrats forcing its protagonists to evolve, much like the characters of The Hangover. Smith’s dedication to authenticity in Mallrats ensures it remains a nostalgic snapshot of the ’90s.

Swingers (1996)
Miramax Films
While The Hangover portrays middle-aged men confronting the consequences of their reckless behavior, Swingers presents a more grounded yet equally hilarious exploration of the lives of twenty-somethings in Los Angeles. Swingers follows Mike Peters (Jon Favreau), an aspiring comedian, and his friend Trent Walker (Vince Vaughn), a working actor, as they navigate the dating scene in the '90s swing revival culture. Much like The Hangover, Swingers is a comedy about friendships and the challenges that come with adulthood. The film feels like a cultural time capsule, capturing the mood of the era while providing an honest portrayal of relationships and self-discovery. The chemistry between Favreau and Vaughn makes Swingers an iconic duo comedy, much like the tight-knit dynamic in The Hangover.

Wedding Crashers (2005)
New Line Cinema
In both The Hangover and Wedding Crashers, a group of irresponsible men get caught up in wild adventures, but Wedding Crashers manages to keep raising the stakes in ways that keep the audience guessing. John (Owen Wilson) and Jeremy (Vince Vaughn) are bachelors who crash weddings for fun, until their antics go awry when they fall for Claire (Rachel McAdams) and Gloria (Isla Fisher), the daughters of a prominent U.S. politician. Similar to The Hangover, Wedding Crashers is packed with surprising gags and memorable cameos, making it an unforgettable comedy. The film shares The Hangover's knack for escalating absurdity, with John and Jeremy's lies unraveling in hilarious ways. Like Phil, Stu, and Alan, they must confront the consequences of their actions, particularly when their lies start to fall apart.

Superbad (2007)
Sony Pictures
The Hangover may focus on men in their thirties engaging in childish antics, but Superbad brings similar humor to a teenage setting, where Evan (Michael Cera), Seth (Jonah Hill), and Fogell (Christopher Mintz-Plasse) face the pressures of growing up. Superbad is a coming-of-age comedy that blends raunchy humor with heartfelt moments, offering a perfect mix of adolescent awkwardness and relatable experiences. The dynamic between Evan and Seth mirrors the bond seen in The Hangover’s central group, as both films show characters trying to make the most of fleeting moments before they have to grow up. Emma Stone’s breakout performance in Superbad as Jules further elevates the film, giving it a more rounded, inclusive narrative than some of its counterparts.

Step Brothers (2008)
Sony Pictures
Much like The Hangover, Step Brothers gleefully explores the antics of men who refuse to grow up. The film follows Brennan (Will Ferrell) and Dale (John C. Reilly), two middle-aged men forced to live together after their parents marry. Their immature behavior mirrors that of The Hangover’s characters, who also refuse to take responsibility for their actions. With its dark humor and wild physical comedy, Step Brothers matches The Hangover in absurdity. Both films showcase the hilarity of adult men acting like children, and the eventual realization of shared common ground. Whether they're bickering or teaming up to face their fears, these “man-children” come to terms with growing up in their own, often hilarious, way.

Due Date (2010)
Warner Bros. Pictures
Todd Phillips’ Due Date took the formula of The Hangover and placed it in a fresh context, crafting a comedy that is both absurd and unexpectedly heartwarming. The film follows Peter Highman (Robert Downey Jr.), a straight-laced architect, as he embarks on a cross-country trip with the eccentric and unpredictable Ethan Tremblay (Zach Galifianakis). Like The Hangover, the duo’s journey is filled with outrageous mishaps, but Due Date explores a more touching narrative as well, showing that even the most unlikely friendships can develop under the most chaotic circumstances.

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